Difference between revisions of "BUI301F2022/Comedy and Identity Discussion"
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+ | ==Class screenings related to identity== | ||
+ | *Race | ||
+ | **''The Bernie Mac Show'' | ||
+ | **''Richard Pryor: Live on the Sunset Strip'' | ||
+ | **''Girlfriends'' | ||
+ | *Ethnicity/nationality | ||
+ | **''Always Be My Maybe'' | ||
+ | **''Reservation Dogs'' | ||
+ | **''Awkwafina Is Nora from Queens'' | ||
+ | *Religion | ||
+ | **''Curb Your Enthusiasm'' | ||
+ | *Class | ||
+ | **''The Lady Eve'' | ||
+ | **''2 Broke Girls'' | ||
Revision as of 15:54, 8 November 2022
- Race
- The Bernie Mac Show
- Richard Pryor: Live on the Sunset Strip
- Girlfriends
- Ethnicity/nationality
- Always Be My Maybe
- Reservation Dogs
- Awkwafina Is Nora from Queens
- Religion
- Curb Your Enthusiasm
- Class
- The Lady Eve
- 2 Broke Girls
Texts & resources
- Beretta E. Smith-Shomade, "Laughing Out Loud: Negras Negotiating Situation Comedy," in Shaded Lives: African-American Women and Television (New Brunswick, NJ: Rutgers University Press, 2002), 24-68.
- Jeremy G. Butler, "Redesigning Discourse: Feminism, the Sitcom and Designing Women," Journal of Film and Video, 45, no. 1; pp. 13-26. Online version.