Difference between revisions of "JCM312/Editing"
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{{Gallery | {{Gallery | ||
|title=''Television'': Editing Chapter | |title=''Television'': Editing Chapter | ||
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| − | # | + | #What is "continuity editing"? In what sense is it "continuous"? |
| − | # | + | #Where does the 180-degree rule get its name? ([tvcrit.com/find/180degreerule Peter John Ross's example] |
| − | #*What is its purpose | + | #*What is its purpose? |
#What are each of the following editing conventions? | #What are each of the following editing conventions? | ||
| − | #* | + | #*Establishing shot |
| − | #* | + | #*Shot/reverse-shot (sometimes called "shot/counter-shot") |
| − | #* | + | #*Match cuts: |
#**Eyeline match | #**Eyeline match | ||
#**Match on action | #**Match on action | ||
| − | #* | + | #*Jump cut |
| − | |||
==Scene découpage== | ==Scene découpage== | ||
| − | #'' | + | #''Television'' discusses the editing of [tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage. |
| − | #*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. | + | #*We can create a [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this shot breakdown, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.) |
| + | #*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window! | ||
== Bibliography == | == Bibliography == | ||
| − | #Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, | + | #Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, 2012). |
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill). | #David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill). | ||
Revision as of 00:54, 6 September 2012
- What is "continuity editing"? In what sense is it "continuous"?
- Where does the 180-degree rule get its name? ([tvcrit.com/find/180degreerule Peter John Ross's example]
- What is its purpose?
- What are each of the following editing conventions?
- Establishing shot
- Shot/reverse-shot (sometimes called "shot/counter-shot")
- Match cuts:
- Eyeline match
- Match on action
- Jump cut
Scene découpage
- Television discusses the editing of [tvcrit.com/find/greysanatomy this scene from Grey's Anatomy], breaking it down in what the book calls a découpage.
- We can create a similar découpage of a scene from Steven Soderbergh's Out of Sight, featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this shot breakdown, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just one diagram that shows all the camera and actor positions.)
- Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
Bibliography
- Jeremy G. Butler, Television: Critical Methods and Applications (New York: Routledge, 2012).
- David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: McGraw-Hill).
