Difference between revisions of "Melodrama Variations: TV Soap Opera (Discussion)"
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[[Image:ATWTRyan.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Meg Ryan in ''As the World Turns'' (1984).]] | [[Image:ATWTRyan.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Meg Ryan in ''As the World Turns'' (1984).]] | ||
[[Image:ATWTFrost.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Lindsay Frost in ''As the World Turns'' (1985).]] | [[Image:ATWTFrost.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Lindsay Frost in ''As the World Turns'' (1985).]] | ||
− | #''' | + | #'''Groups 5 and 1''': How does Jean-Louis Comolli's notion of a "body too much" in historical film apply to the soap opera? |
− | # | + | #*What is the "commutation test"? How does it apply to soap-opera recasting? |
− | #''' | + | #'''Groups 3 and 4''': How do Lindsey Frost's character/performance signs differ from Meg Ryan's? What meaning does that difference connote? |
− | #'''Groups | + | #'''Groups 6 and 2''': What makes Meg Ryan an atypical soap star? |
#*How does the position of soap actors resemble that of early-film actors? | #*How does the position of soap actors resemble that of early-film actors? | ||
− | '''All Groups''': How might the commutation test be used with Humphrey Bogart's | + | '''All Groups''': How might the commutation test be used with Humphrey Bogart's Dixon Steele character in ''In a Lonely Place''? Pick another actor and perform a commutation test on Dixon. |
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[[Image:Fig113 ATWT20080201qq00 30 40qq00020.jpg|left|thumb|400px|Katie and Brad in an ''As the World Turns'' screen shot, from :30:40 in the episode broadcast 1 Feb 2008.]] | [[Image:Fig113 ATWT20080201qq00 30 40qq00020.jpg|left|thumb|400px|Katie and Brad in an ''As the World Turns'' screen shot, from :30:40 in the episode broadcast 1 Feb 2008.]] | ||
#What are the main characteristics of soap opera's style of sound and image? And what significance do they have? In other words, what/how does style ''signify'' in terms of: | #What are the main characteristics of soap opera's style of sound and image? And what significance do they have? In other words, what/how does style ''signify'' in terms of: | ||
− | #*''' | + | #*'''Groups 5 and 1''': Sets? Lighting? |
− | #*'''Groups | + | #*'''Groups 3 and 4''': Multiple-camera production? ''In terms of how it looks on the screen'', how does multiple-camera production differ from single-camera production? |
− | #*''' | + | #*'''Groups 6 and 2''': Dialogue? Music? How are these characteristics present (or not) in the scene from ''ATWT'' episode we viewed in class? How would you compare/contrast the sound in ''ATWT'' with that of the radio soap, ''Backstage Wife''? |
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Revision as of 01:58, 3 April 2019
"'I'm Not a Doctor, But I Play One on TV'"
- Groups 5 and 1: How does Jean-Louis Comolli's notion of a "body too much" in historical film apply to the soap opera?
- What is the "commutation test"? How does it apply to soap-opera recasting?
- Groups 3 and 4: How do Lindsey Frost's character/performance signs differ from Meg Ryan's? What meaning does that difference connote?
- Groups 6 and 2: What makes Meg Ryan an atypical soap star?
- How does the position of soap actors resemble that of early-film actors?
All Groups: How might the commutation test be used with Humphrey Bogart's Dixon Steele character in In a Lonely Place? Pick another actor and perform a commutation test on Dixon.
"Television and Zero-Degree Style"
- What are the main characteristics of soap opera's style of sound and image? And what significance do they have? In other words, what/how does style signify in terms of:
- Groups 5 and 1: Sets? Lighting?
- Groups 3 and 4: Multiple-camera production? In terms of how it looks on the screen, how does multiple-camera production differ from single-camera production?
- Groups 6 and 2: Dialogue? Music? How are these characteristics present (or not) in the scene from ATWT episode we viewed in class? How would you compare/contrast the sound in ATWT with that of the radio soap, Backstage Wife?
2010 Ratings
Total Viewers (Compared to Previous Week/Compared to Previsou Year). Boldfaced shows are still on the air as of spring 2018.
- Y&R 5,103,000 (+17,000/-13,000)
- B&B 3,188,000 (-71,000/-111,000)
- DAYS 2,838,000 (-96,000/-148,000)
- GH 2,532,000 (-19,000/-114,000)
- AMC 2,481,000 (-79,000/-218,000)
- OLTL 2,314,000 (-112,000/-350,000)
- ATWT 2,308,000 (-160,000/-224,000) -- 9.7% drop from 2009
http://boards.soapoperanetwork.com/topic/35133-march-15-19-2010/
Bibliography
- Jeremy G. Butler, "Notes on the Soap Opera Apparatus: Televisual Style and As the World Turns," Cinema Journal 25, no. 3 (Spring 1986): 53-70.
- Revised and updated as: Jeremy G. Butler, "Television and Zero-Degree Style" in Television Style (New York: Routledge, 2010), 55-120.
- Jeremy G. Butler, "'I'm Not a Doctor, But I Play One on TV': Characters, Actors, and Acting in Television Soap Opera," Cinema Journal 30, no. 4 (1991): 75-91.
External links
- "Notes on the Soap Opera Apparatus" Illustrations
- Jeremy G. Butler, "'I'm Not a Doctor, But I Play One on TV' Illustrations
- ATWT commutation test video clip
- More on Meg Ryan and Frank Runyeon
- ATWT alumni.
- Johanna Schneller, "Meg Ryan", Us Weekly, April 1998, pp. 50-54, 96.