JCM312/Cinematography - Revision history

Jeremy Butler: /* Cinematography and narrative */

2019-09-03T15:51:58Z

Cinematography and narrative

Jeremy Butler: no group 6

2019-09-03T14:46:08Z

no group 6

Jeremy Butler: updated

2019-09-03T14:44:36Z

updated

Jeremy Butler at 00:37, 3 September 2019

2019-09-03T00:37:20Z

70.249.184.48: updated linka

2019-09-03T00:27:39Z

updated linka

Jeremy Butler at 21:54, 22 August 2019

2019-08-22T21:54:04Z

ScreenAdmin: 29 revisions imported

2019-08-14T21:31:19Z

29 revisions imported

Jeremy Butler at 13:43, 4 September 2018

2018-09-04T13:43:19Z

Jeremy Butler at 00:19, 4 September 2018

2018-09-04T00:19:11Z

Jeremy Butler at 00:18, 4 September 2018

2018-09-04T00:18:04Z

@@ Line 23: / Line 23: @@
 ==Cinematography and narrative==
-In [https://vimeo.com/345042067 this ''Monster's Ball'' scene], what narrative functions does the cinematography serve? Each group should account for the cinematographic aspects noted above, paying particular attention to the third shot.
+In [https://vimeo.com/345042067 this ''Monster's Ball'' scene] (password: tcf123abc! ), what narrative functions does the cinematography serve? Each group should account for the cinematographic aspects noted above, paying particular attention to the third shot.
 <gallery mode="packed" heights=200px>

@@ Line 11: / Line 11: @@
 ****[http://tvcrit.com/find/panandscan ''He Said, She Said'' pan and scan]
 **What are the aspect ratios of ''Day for Night'', ''Shakespeare in Love'' and ''Monster's Ball''?
-*'''G2 and G6:''' Explain the significance of camera '''framing, height, and movement''' -- using [https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/09/ the textbook illustrations].
+*'''G2:''' Explain the significance of camera '''framing, height, and movement''' -- using [https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/09/ the textbook illustrations].
 **Example video clips:
 ***[http://tvcrit.com/find/dolly Dollying] and [http://tvcrit.com/find/dollyresult Dollying result]

@@ Line 6: / Line 6: @@
 **What is the difference between deep focus and deep space (as in mise-en-scene)?
 *'''G1 and G5:''' Explain what '''aspect ratio''' is -- using the textbook illustrations.
-**Also explain letterbox, pillarbox, and pan-and-scan.
+**Also explain letterbox and pillarbox (optional: pan-and-scan)
 ***Example video clips:
 ****[http://tvcrit.com/find/hsssletterbox ''He Said, She Said'' letterboxing]
 ****[http://tvcrit.com/find/panandscan ''He Said, She Said'' pan and scan]
 **What are the aspect ratios of ''Day for Night'', ''Shakespeare in Love'' and ''Monster's Ball''?
-*'''G2 and G6:''' Explain the significance of camera '''framing, height, and movement''' -- using [http://www.routledgetextbooks.com/textbooks/9781138743960/image-gallery.php the textbook illustrations].
+*'''G2 and G6:''' Explain the significance of camera '''framing, height, and movement''' -- using [https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/09/ the textbook illustrations].
 **Example video clips:
 ***[http://tvcrit.com/find/dolly Dollying] and [http://tvcrit.com/find/dollyresult Dollying result]

@@ Line 3: / Line 3: @@
 *'''G3:''' Explain what '''focal length''' is -- using the textbook illustrations.
 **How does a zoom in/out look different from a track in/out?
-*'''G4:''' *Explain what '''depth of field''' is -- using the textbook illustrations.
+*'''G4:''' Explain what '''depth of field''' is -- using the textbook illustrations.
 **What is the difference between deep focus and deep space (as in mise-en-scene)?
 *'''G1 and G5:''' Explain what '''aspect ratio''' is -- using the textbook illustrations.

@@ Line 1: / Line 1: @@
-Color, enlarged versions of the textbook illustrations [http://www.routledgetextbooks.com/textbooks/9781138743960/image-gallery.php are available online].
+Color, enlarged versions of the textbook illustrations [https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/08/ are available online].
 *'''G3:''' Explain what '''focal length''' is -- using the textbook illustrations.
@@ Line 23: / Line 23: @@
 ==Cinematography and narrative==
-In [https://tcf.ua.edu/EO/DV/FilmArt/MonstersBall.php this ''Monster's Ball'' scene], what narrative functions does the cinematography serve? Each group should account for the cinematographic aspects noted above, paying particular attention to the third shot.
+In [https://vimeo.com/345042067 this ''Monster's Ball'' scene], what narrative functions does the cinematography serve? Each group should account for the cinematographic aspects noted above, paying particular attention to the third shot.
 <gallery mode="packed" heights=200px>
-Image:MonstersBall01.jpg|allt=Shot three from a ''Monster's Ball'' scene.|Shot three from a ''Monster's Ball'' scene.
+Image:MonstersBall01.jpg|alt=Shot three from a ''Monster's Ball'' scene.|Shot three from a ''Monster's Ball'' scene.
 Image:MonstersBall02.jpg|alt=Shot three from a ''Monster's Ball'' scene continues.|Shot three from a ''Monster's Ball'' scene continues.
 </gallery>
 ==External links==
-#[https://tcf.ua.edu/EO/DV/FilmArt/MonstersBall.php ''Monster's Ball'' scene]
+#[https://vimeo.com/345042067 ''Monster's Ball'' scene]
-#[http://www.routledgetextbooks.com/textbooks/9781138743960/image-gallery.php ''Television'' illustrations, Chapter 8.]
+#[https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/08/ ''Television'' illustrations, Chapter 8.]
-#[http://www.tcf.ua.edu/Classes/Jbutler/T440/VisualStyleIllustrations02.php Cinematography illustrations]
+#[https://tvcrit.org/Classes/Jbutler/T440/VisualStyleIllustrations02.php Cinematography illustrations]
-#[http://www.tcf.ua.edu/Classes/Jbutler/T440/MonstersBall/index.htm ''Monster's Ball'' frame grabs]
+#[https://tvcrit.org/Classes/Jbutler/T440/MonstersBall/index.htm ''Monster's Ball'' frame grabs]
 #[http://youtu.be/Q34z5dCmC4M ''Henri 2, Paw de Deux'': black-and-white]
 #[https://vimeo.com/231455256 Pillarboxed cell-phone video]

@@ Line 18: / Line 18: @@
 **When might movement be used that does ''not'' follow a character? How is a Steadicam shot different from a handheld shot?
-[[Image:Fig09-50 Pillarbox blurred wings.jpg|thumb|left|600px|[https://vimeo.com/231455256 Pillarboxed cell-phone video]]]
+<gallery mode="packed" heights=200px>
-<br clear="all">
+Image:Fig09-50 Pillarbox blurred wings.jpg|alt=pillarbox illustration|[https://vimeo.com/231455256 Pillarboxed cell-phone video]
 ==Cinematography and narrative==
 In [https://tcf.ua.edu/EO/DV/FilmArt/MonstersBall.php this ''Monster's Ball'' scene], what narrative functions does the cinematography serve? Each group should account for the cinematographic aspects noted above, paying particular attention to the third shot.
-[[Image:MonstersBall01.jpg|thumb|left|600px|Shot three from a ''Monster's Ball'' scene.]]
+<gallery mode="packed" heights=200px>
-<br clear="all">
+Image:MonstersBall01.jpg|allt=Shot three from a ''Monster's Ball'' scene.|Shot three from a ''Monster's Ball'' scene.
-[[Image:MonstersBall02.jpg|thumb|left|600px|Shot three from a ''Monster's Ball'' scene continues.]]
+Image:MonstersBall02.jpg|alt=Shot three from a ''Monster's Ball'' scene continues.|Shot three from a ''Monster's Ball'' scene continues.
-<br clear="all">
+</gallery>
 ==External links==

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