Difference between revisions of "JCM412512/Editing (Discussion)"

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(new groups)
(second decoupage)
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#*'''Group 1:''' Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
 
#*'''Group 1:''' Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
 
#*'''Group 2:''' The 180-degree rule: Does this scene adhere to it?
 
#*'''Group 2:''' The 180-degree rule: Does this scene adhere to it?
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'''Each student individually:'''
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#*Create a [https://tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php another découpage of a scene] from ''Out of the Past''. Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.
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'''In Groups:'''
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#Does this scene use the following editing conventions? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
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#*'''Group 4:''' Establishing shot
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#*'''Group 1:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
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#*Match cuts:
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#**'''Group 2:''' Eyeline match
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#**'''Group 2:''' Match on action
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#*'''Group 3:''' The 180-degree rule: Does this scene adhere to it?
  
 
==External links==
 
==External links==

Revision as of 15:41, 30 January 2017

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Scene découpage

Template:Gallery


Each student individually:

  1. Television discusses the editing of this scene from Grey's Anatomy, breaking it down in what the book calls a découpage.
    • We can create a similar découpage of a scene from Steven Soderbergh's Out of Sight, featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just one diagram that shows all the camera and actor positions.)

In Groups:

  1. Does this scene use the following editing conventions? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
    • Group 3: Establishing shot
    • Group 4: Shot/reverse-shot (sometimes called "shot/counter-shot")
    • Match cuts:
      • Group 1: Eyeline match
      • Group 1: Match on action
    • Group 1: Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
    • Group 2: The 180-degree rule: Does this scene adhere to it?

Each student individually:

    • Create a another découpage of a scene from Out of the Past. Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.

In Groups:

  1. Does this scene use the following editing conventions? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
    • Group 4: Establishing shot
    • Group 1: Shot/reverse-shot (sometimes called "shot/counter-shot")
    • Match cuts:
      • Group 2: Eyeline match
      • Group 2: Match on action
    • Group 3: The 180-degree rule: Does this scene adhere to it?

External links

  1. Television Chapter 9 illustrations
  2. Peter John Ross's 180-degree rule example
  3. Out of the Past gallows scene.
  4. Classical Hollywood editing examples
  5. Film Art examples
  6. Grey's Anatomy scene
  7. Out of Sight découpage

Bibliography

  1. Jeremy G. Butler, Television: Critical Methods and Applications (New York: Routledge, 2012).
  2. David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: McGraw-Hill).