Difference between revisions of "JCM412512/Editing (Discussion)"

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==Scene découpage==
 
==Scene découpage==
{{Gallery
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<gallery mode="packed" heights=200px>
|title=''Television'': Editing Chapter
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File:Fig09-05 180 Degree.jpg|alt=180-Degree Diagram from ''Television''.|180-Degree Diagram.
|width=400
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File:Fig10-24 GreyAnatDiagram revised 20171117.jpg|alt=Decoupage Diagram from ''Television''.|''Grey's Anatomy'' Découpage Diagram.
|lines=1
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</gallery>
|align=center
 
|File:Fig09-05 180 Degree.jpg|alt1=180-Degree Diagram from ''Television''.|180-Degree Diagram.
 
}}
 
 
 
  
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===Découpage 1: ''Out of Sight''===
 
'''Each student individually:'''
 
'''Each student individually:'''
 
#''Television'' discusses the editing of [http://tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage.
 
#''Television'' discusses the editing of [http://tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage.
#*We can create a [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
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#*We can create a [http://tvcrit.org/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
  
 
'''In Groups:'''
 
'''In Groups:'''
#Does this scene use the following editing conventions? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
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#Does this scene use the following editing conventions? Be specific.
#*'''Group 3:''' Establishing shot
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#*'''Group 4:''' Establishing shot
#*'''Group 4:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
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#*'''Group 5:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
#*Match cuts:
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#*Match and jump cuts:
 
#**'''Group 1:''' Eyeline match
 
#**'''Group 1:''' Eyeline match
#**'''Group 1:''' Match on action
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#**'''Group 2:''' Match on action
#*'''Group 1:''' Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
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#**'''Groups 1 & 2:''' Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
#*'''Group 2:''' The 180-degree rule: Does this scene adhere to it?
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#*'''Groups 3 & 6:''' The 180-degree rule: Does this scene adhere to it?
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#How does the editing help support the story? Why was it cut the way in this manner?
 +
 
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===Découpage 2: ''Out of the Past''===
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<gallery mode="packed" heights=300px>
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File:OutOfThePastqq01 28 38qq00004.jpg|alt=''Out of the Past'' screen shot.|''Out of the Past'': second shot.
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</gallery>
  
 
'''Each student individually:'''
 
'''Each student individually:'''
#*Create a [https://tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php another découpage of a scene] from ''Out of the Past''. Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.
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*Create a [https://tvcrit.org/Classes/Jbutler/JCM412/OutOfThePast_GallowsScene/ another découpage of a scene] from ''Out of the Past''. Using this découpage, draw an overhead diagram of the camera positions of shots 3 through 7 (interior shots)--similar to the 180-degree diagram above.
  
 
'''In Groups:'''
 
'''In Groups:'''
#Does this scene use the following editing conventions? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
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#Does this scene use the following editing conventions? Be specific.
#*'''Group 4:''' Establishing shot
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#*'''Group 5:''' Establishing shot
#*'''Group 1:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
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#*'''Groups 1 & 2:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
 
#*Match cuts:
 
#*Match cuts:
#**'''Group 2:''' Eyeline match
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#**'''Group 3 & 6:''' Eyeline match
#**'''Group 2:''' Match on action
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#**'''Group 3 & 6:''' Match on action
#*'''Group 3:''' The 180-degree rule: Does this scene adhere to it?
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#*'''Group 4:''' The 180-degree rule: Does this scene adhere to it?
 +
#How does the editing help support the story? Why was it cut the way in this manner?
  
 
==External links==
 
==External links==
#[http://www.routledge.com/cw/butler-9780415883283/s1/gallery-09/ ''Television'' Chapter 9 illustrations]
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#[https://tvcrit.org/Classes/Jbutler/TVCrit2018_images_ByChapters/10/# ''Television'' Chapter 10 illustrations]
 
#[http://tvcrit.com/find/180degreerule Peter John Ross's 180-degree rule example]
 
#[http://tvcrit.com/find/180degreerule Peter John Ross's 180-degree rule example]
#[http://www.tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php ''Out of the Past'' gallows scene.]
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#[https://vimeo.com/345059498 ''Out of the Past'' gallows scene.]
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood editing examples]
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#[http://tvcrit.org/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood editing examples]
#[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
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#[http://tvcrit.org/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
 
#[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
 
#[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
#[http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm ''Out of Sight'' découpage]
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#[http://tvcrit.org/EO/DV/FilmArt/OutOfSightStills/index.htm ''Out of Sight'' découpage]
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#[https://tvcrit.org/Classes/Jbutler/JCM412/OutOfThePast_GallowsScene/ ''Out of the Past'' screenshots]
  
 
== Bibliography ==
 
== Bibliography ==
#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, 2012).
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#Jeremy G. Butler, ''Television: Visual Storytelling and Screen Culture'' (New York: Routledge, 2018).
 
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill).
 
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill).
  
[[Category:TCF440/540 Discussion]]
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[[Category:JCM412/512 Discussion]]

Latest revision as of 16:39, 27 January 2020

  • Video password: tcf123abc!

Scene découpage

Découpage 1: Out of Sight

Each student individually:

  1. Television discusses the editing of this scene from Grey's Anatomy, breaking it down in what the book calls a découpage.
    • We can create a similar découpage of a scene from Steven Soderbergh's Out of Sight, featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just one diagram that shows all the camera and actor positions.)

In Groups:

  1. Does this scene use the following editing conventions? Be specific.
    • Group 4: Establishing shot
    • Group 5: Shot/reverse-shot (sometimes called "shot/counter-shot")
    • Match and jump cuts:
      • Group 1: Eyeline match
      • Group 2: Match on action
      • Groups 1 & 2: Jump cut--if any. If not, be prepared to describe a hypothetical example of one.
    • Groups 3 & 6: The 180-degree rule: Does this scene adhere to it?
  2. How does the editing help support the story? Why was it cut the way in this manner?

Découpage 2: Out of the Past

Each student individually:

  • Create a another découpage of a scene from Out of the Past. Using this découpage, draw an overhead diagram of the camera positions of shots 3 through 7 (interior shots)--similar to the 180-degree diagram above.

In Groups:

  1. Does this scene use the following editing conventions? Be specific.
    • Group 5: Establishing shot
    • Groups 1 & 2: Shot/reverse-shot (sometimes called "shot/counter-shot")
    • Match cuts:
      • Group 3 & 6: Eyeline match
      • Group 3 & 6: Match on action
    • Group 4: The 180-degree rule: Does this scene adhere to it?
  2. How does the editing help support the story? Why was it cut the way in this manner?

External links

  1. Television Chapter 10 illustrations
  2. Peter John Ross's 180-degree rule example
  3. Out of the Past gallows scene.
  4. Classical Hollywood editing examples
  5. Film Art examples
  6. Grey's Anatomy scene
  7. Out of Sight découpage
  8. Out of the Past screenshots

Bibliography

  1. Jeremy G. Butler, Television: Visual Storytelling and Screen Culture (New York: Routledge, 2018).
  2. David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: McGraw-Hill).