Difference between revisions of "Melodrama Variations: TV Soap Opera (Discussion)"

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[[Image:ATWTRyan.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Meg Ryan in ''As the World Turns'' (1984).]]
 
[[Image:ATWTRyan.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Meg Ryan in ''As the World Turns'' (1984).]]
 
[[Image:ATWTFrost.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Lindsay Frost in ''As the World Turns'' (1985).]]
 
[[Image:ATWTFrost.jpg|thumb|400px|left|Screen shot of Frank Runyeon and Lindsay Frost in ''As the World Turns'' (1985).]]
#'''Group 4''': How does Jean-Louis Comolli's notion of a "body too much" in historical film apply to the soap opera?
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#'''Group 3''': How does Jean-Louis Comolli's notion of a "body too much" in historical film apply to the soap opera?
#'''Grad Group''': What is the "commutation test"? How does it apply to soap-opera recasting?
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#'''Group 4''': What is the "commutation test"? How does it apply to soap-opera recasting?
#*'''Grad Group''': How might the commutation test be used with Humphrey Bogart's Charlie Allnut character in ''African Queen''?
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#*'''All Groups''': How might the commutation test be used with Humphrey Bogart's Charlie Allnut character in ''African Queen''?
#'''Group 1''': What makes Meg Ryan an atypical soap star?
 
#'''Group 1''': How does the position of soap actors resemble that of early-film actors?
 
 
#'''All Groups''': How do Lindsey Frost's character/performance signs differ from Meg Ryan's? What meaning does that difference connote?  
 
#'''All Groups''': How do Lindsey Frost's character/performance signs differ from Meg Ryan's? What meaning does that difference connote?  
 +
#'''All Groups''': What makes Meg Ryan an atypical soap star?
 +
#'''All Groups''': How does the position of soap actors resemble that of early-film actors?
 
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Revision as of 15:16, 13 April 2009

Readings

"Television and Zero-Degree Style"

Katie and Brad in an As the World Turns screen shot, from :30:40 in the episode broadcast 1 Feb 2008.

#What are the main characteristics of soap opera's style of sound and image? And what significance do they have? In other words, what/how does style signify in terms of:

    • Group 1: Sets?
    • Group 1: Lighting?
    • Group 2: Multiple-camera production? In terms of how it looks on the screen, how does multiple-camera production differ from single-camera production?
    • Dialogue?
    • Group 2: Music?
  1. Groups 1 & 2: How are these characteristics present (or not) in the scene from ATWT episode we viewed in class? How would you compare/contrast the sound in ATWT with that of the radio soap, Backstage Wife?
  2. All Groups: How does the excerpt from Guiding Light we watched violate soap-opera style?


"'I'm Not a Doctor, But I Play One on TV'"

Screen shot of Frank Runyeon and Meg Ryan in As the World Turns (1984).
Screen shot of Frank Runyeon and Lindsay Frost in As the World Turns (1985).
  1. Group 3: How does Jean-Louis Comolli's notion of a "body too much" in historical film apply to the soap opera?
  2. Group 4: What is the "commutation test"? How does it apply to soap-opera recasting?
    • All Groups: How might the commutation test be used with Humphrey Bogart's Charlie Allnut character in African Queen?
  3. All Groups: How do Lindsey Frost's character/performance signs differ from Meg Ryan's? What meaning does that difference connote?
  4. All Groups: What makes Meg Ryan an atypical soap star?
  5. All Groups: How does the position of soap actors resemble that of early-film actors?


Bibliography

  1. Jeremy G. Butler, "Television and Zero-Degree Style" in Television Style (New York: Routledge, in press), 55-120.
  2. Jeremy G. Butler, "'I'm Not a Doctor, But I Play One on TV': Characters, Actors, and Acting in Television Soap Opera," Cinema Journal 30.4 (1991): 75-91.

External links