Difference between revisions of "Mise-en-Scene (Discussion)"
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− | #'''Group 1:''' What are icons? What is iconography? Discuss examples from in-class episodes of '' | + | #'''Group 1:''' What are icons? What is iconography? Discuss examples from in-class episodes of ''Designing Women'', ''Girlfriends'', or ''New Girl''. |
− | #'''Group 2:''' What narrative impact does the economic decision to shoot on studio sets have sitcoms (with studio audiences) and soap operas? (What differences are there between the studio set-up of these two genres?) That is, how does set design shape the way stories are told? | + | #'''Group 2:''' What narrative impact does the economic decision to shoot on studio sets have on sitcoms (with studio audiences) and soap operas? (What differences are there between the studio set-up of these two genres?) That is, how does set design shape the way stories are told? |
+ | ##Of the sitcoms we've seen in class, which are shot on studio sets with studio audiences? (''The Andy Griffith Show'', ''The Cosby Show'', ''The Beverly Hillbillies'', ''Designing Women'', ''Girlfriends'', ''New Girl'') | ||
#Lighting questions: | #Lighting questions: | ||
##'''Group 3:''' What are the characteristics of three-point lighting? What function does each "point" serve? Pretend you are a director of photography (DP). Describe a scene that might ''not'' use three-point lighting and explain why. | ##'''Group 3:''' What are the characteristics of three-point lighting? What function does each "point" serve? Pretend you are a director of photography (DP). Describe a scene that might ''not'' use three-point lighting and explain why. | ||
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== Bibliography == | == Bibliography == | ||
− | #Butler, Jeremy G. ''Television: Critical Methods and Applications''. | + | #Butler, Jeremy G. ''Television: Critical Methods and Applications''. New York: Routledge, 2012. |
==External links== | ==External links== |
Revision as of 14:12, 8 November 2011
- Group 1: What are icons? What is iconography? Discuss examples from in-class episodes of Designing Women, Girlfriends, or New Girl.
- Group 2: What narrative impact does the economic decision to shoot on studio sets have on sitcoms (with studio audiences) and soap operas? (What differences are there between the studio set-up of these two genres?) That is, how does set design shape the way stories are told?
- Of the sitcoms we've seen in class, which are shot on studio sets with studio audiences? (The Andy Griffith Show, The Cosby Show, The Beverly Hillbillies, Designing Women, Girlfriends, New Girl)
- Lighting questions:
- Group 3: What are the characteristics of three-point lighting? What function does each "point" serve? Pretend you are a director of photography (DP). Describe a scene that might not use three-point lighting and explain why.
- Group 4: What is the difference between high-key and low-key lighting? And what is chiaroscuro? Pretend you are a director of photography (DP). Describe a scene that might use each of these techniques.
- Describe the mise-en-scene of the Northern Exposure scene with Joel and Jules. How are aspects of the characters (Joel, Jules, Maggie, Ed) communicated through mise-en-scene? That is, what would we know about the characters even if there were no dialogue in this scene?
- Group 1: costume design, iconography
- Group 2: set design
- Group 3: lighting design
- Group 4: blocking and figure movement
Bibliography
- Butler, Jeremy G. Television: Critical Methods and Applications. New York: Routledge, 2012.
External links
- Two-a-Days images on the Television gallery.
- Northern Exposure images on the Television gallery.
- Northern Exposure scene.