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- A (mostly) verbal analysis
- A (mostly) visual analysis
- A History of TV Style (Discussion)
- A comic piece
- Animation (Discussion)
- BUI301F2022/Comedy and Identity Discussion
- BUI301F2022/Contributor's Note Exercise
- BUI301F2022/Humor Theory
- BUI301F2022/Narrative Structure
- BUI301F2022/TV Comedy: Multicamera
- BUI301F2022/TV Comedy: Single Camera
- BUI301F2022/Verbal Humor
- BUI301 Funny Story
- BUI301 Understanding and Deconstructing TV
- Beyond and Beside Narrative (Discussion)
- BordwellThompson/Classical Style (Discussion)
- BordwellThompson/Editing (Discussion)
- BordwellThompson/Narrative Form (Discussion)
- BordwellThompson/Sound (Discussion)
- Building Narrative (Discussion)
- Concept of Authorship (Discussion)
- Concept of Genre (Discussion)
- Concept of Genre (Lecture)
- Concept of Star (Discussion)
- Cultural Studies, Ethnography (Discussion)
- Day Dreams
- Discourse & Identity III (Discussion)
- Discourse & Identity I & II (Discussion)
- Domestic Melodrama Since World War II (Discussion)
- Domestic Melodrama as Genre (2010 Discussion)
- Domestic Melodrama as Genre (Discussion)
- Douglas Sirk as Auteur (Discussion)
- Editing: Multiple Camera Mode (Discussion)
- Editing: Single Camera Mode (Discussion)
- Editing (Discussion)
- Fair use
- Feminist Criticism (Discussion)
- Feminist Criticism II (Discussion)
- Film Noir as Genre (Discussion)
- Film Noir as Genre (Lecture)
- Genre Study (Discussion)
- Hard Luck
- Hard Luck by Ava
- Hard Luck by Daisy
- History of TV editing
- History of color TV
- History of the remote control
- How to configure VLC for screenshots
- Howard Hawks as Auteur (Discussion)
- Humphrey Bogart as Star (Discussion)
- I Love Lucy
- Ideological Criticism, Cultural Studies (Discussion)
- Ideological Criticism (Discussion)
- Ideological Criticism (Discussion)/Chat transcript
- Infobox
- JCM112 Motion Picture History and Criticism
- JCM212/Editing and sound analysis
- JCM212/Final Exam Review
- JCM212/Narrative Analysis
- JCM212/Outline a book
- JCM212/Outline a journal article
- JCM212/Stylistic Analysis
- JCM212/Stylistic Analysis/Alternative assignment
- JCM212/mise-en-scene and cinematographic analysis
- JCM212 Film and Media Theory
- JCM311 Critical Studies in Television
- JCM312/Analytical Exercise (Discussion)
- JCM312/Bazinian Realism (Discussion)
- JCM312/Cinematography
- JCM312/Claire Denis (Discussion)
- JCM312/Editing
- JCM312/French Cinema Between the Wars I: Popular Front (Discussion)
- JCM312/French Feminism, Continued: Agnès Varda (Discussion)
- JCM312/French Feminism, Continued: Agnès Varda (Lecture)
- JCM312/French Modernism: Jean-Luc Godard & Bertolt Brecht (Discussion)
- JCM312/French New Wave I: Alain Resnais (Discussion)
- JCM312/French New Wave II: François Truffaut (Discussion)
- JCM312/French New Wave III: Éric Rohmer (Discussion)
- JCM312/Godard Since 1968 (Discussion)
- JCM312/Godard and Contemporary Feminism (Discussion)
- JCM312/Mise-en-scene
- JCM312/Narrative Structure
- JCM312/Sound
- JCM312/The Avant-Garde (Discussion)
- JCM312 International Cinema
- JCM412-512 Seminar in American Cinema
- JCM412512/Analytical Exercise (Discussion)
- JCM412512/Cinematography (Discussion)
- JCM412512/Editing (Discussion)
- JCM412512/Mise-en-scene (Discussion)
- JCM412512/Narrative Form (Discussion)
- JCM412512/Sound (Discussion)
- Keaton shorts
- Lana Turner as Star (Discussion)
- Lecture/discussion notes
- Link to something in Screenpedia
- MHRA Style Guide
- Main Page
- Melodrama Variations: TV Soap Opera (Discussion)
- Mise-en-Scene (Discussion)
- Music Television (Discussion)
- My Wife's Relations
- Narrative Structure (Discussion)
- Narrative Theory II
- Noir & Sexuality (Discussion)
- Postmodernism (Discussion)
- Production Studies (Discussion)
- Readings/Godard Since 1968 and Claire Denis
- Readings/Representation of Women, Continued: Agnès Varda
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- Semiotics (Discussion)
- Semiotics II (Discussion)
- Sound (Discussion)
- Study guide instructions
- Style and Stylistics (Discussion)
- Style and the Camera (Discussion)
- TCF112/Auteur Theory
- TCF112/Bazinian Realism
- TCF112/Classical Hollywood Cinema
- TCF112/Documentary Form
- TCF112/Early Cinema
- TCF112/Feminism and Film
- TCF112/French New Wave
- TCF112/German Silent Film
- TCF112/Italian Neorealism
- TCF112/New German Cinema
- TCF112/Russian Formalism
- TCF112/Silent Film Comedy
- TCF112/The Breakdown of Hollywood Classicism
- TCF112/The Evolution of Narrative Film
- TCF340/Analytical Exercise (Discussion)
- TCF340/BordwellThompson/Cinematography (Discussion)
- TCF340/BordwellThompson/Classical Style (Discussion)
- TCF340/BordwellThompson/Editing (Discussion)
- TCF340/BordwellThompson/Mise-en-scene (Discussion)
- TCF340/BordwellThompson/Narrative Form (Discussion)
- TCF340/BordwellThompson/Sound (Discussion)
- TCF340/Cinema Ascetic: Robert Bresson (Discussion)
- TCF340/Godard Since 1968 and Claire Denis (Discussion)
- TCF440540/BordwellThompson/Cinematography (Discussion)
- TCF440540/BordwellThompson/Mise-en-scene (Discussion)
- TCF 112 Motion Picture History and Criticism
- TCF 311 Exam 3
- TV Structure (Discussion)
- Telecommunication and Film Department
- Television Studies: An Overview (Discussion)
- The Balloonatic
- The Blacksmith
- The Chicago Manual of Style
- The Commercial (Discussion)
- The Electric House
- The Frozen North
- The High Sign
- The High Sign by Josh
- The High Sign by Kate
- The MLA style manual
- The Paleface
- The Scarecrow
- The Scarecrow by Architha
- The Scarecrow by Gardner
- University of Alabama
