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  1. APA style
  2. A (mostly) verbal analysis
  3. A (mostly) visual analysis
  4. A History of TV Style (Discussion)
  5. A comic piece
  6. Animation (Discussion)
  7. BUI301F2022/Comedy and Identity Discussion
  8. BUI301F2022/Contributor's Note Exercise
  9. BUI301F2022/Humor Theory
  10. BUI301F2022/Narrative Structure
  11. BUI301F2022/TV Comedy: Multicamera
  12. BUI301F2022/TV Comedy: Single Camera
  13. BUI301F2022/Verbal Humor
  14. BUI301 Funny Story
  15. BUI301 Understanding and Deconstructing TV
  16. Beyond and Beside Narrative (Discussion)
  17. BordwellThompson/Classical Style (Discussion)
  18. BordwellThompson/Editing (Discussion)
  19. BordwellThompson/Narrative Form (Discussion)
  20. BordwellThompson/Sound (Discussion)
  21. Building Narrative (Discussion)
  22. Concept of Authorship (Discussion)
  23. Concept of Genre (Discussion)
  24. Concept of Genre (Lecture)
  25. Concept of Star (Discussion)
  26. Cultural Studies, Ethnography (Discussion)
  27. Day Dreams
  28. Discourse & Identity III (Discussion)
  29. Discourse & Identity I & II (Discussion)
  30. Domestic Melodrama Since World War II (Discussion)
  31. Domestic Melodrama as Genre (2010 Discussion)
  32. Domestic Melodrama as Genre (Discussion)
  33. Douglas Sirk as Auteur (Discussion)
  34. Editing: Multiple Camera Mode (Discussion)
  35. Editing: Single Camera Mode (Discussion)
  36. Editing (Discussion)
  37. Fair use
  38. Feminist Criticism (Discussion)
  39. Feminist Criticism II (Discussion)
  40. Film Noir as Genre (Discussion)
  41. Film Noir as Genre (Lecture)
  42. Genre Study (Discussion)
  43. Hard Luck
  44. Hard Luck by Ava
  45. Hard Luck by Daisy
  46. History of TV editing
  47. History of color TV
  48. History of the remote control
  49. How to configure VLC for screenshots
  50. Howard Hawks as Auteur (Discussion)
  51. Humphrey Bogart as Star (Discussion)
  52. I Love Lucy
  53. Ideological Criticism, Cultural Studies (Discussion)
  54. Ideological Criticism (Discussion)
  55. Ideological Criticism (Discussion)/Chat transcript
  56. Infobox
  57. JCM112 Motion Picture History and Criticism
  58. JCM212/Editing and sound analysis
  59. JCM212/Final Exam Review
  60. JCM212/Narrative Analysis
  61. JCM212/Outline a book
  62. JCM212/Outline a journal article
  63. JCM212/Stylistic Analysis
  64. JCM212/Stylistic Analysis/Alternative assignment
  65. JCM212/mise-en-scene and cinematographic analysis
  66. JCM212 Film and Media Theory
  67. JCM311 Critical Studies in Television
  68. JCM312/Analytical Exercise (Discussion)
  69. JCM312/Bazinian Realism (Discussion)
  70. JCM312/Cinematography
  71. JCM312/Claire Denis (Discussion)
  72. JCM312/Editing
  73. JCM312/French Cinema Between the Wars I: Popular Front (Discussion)
  74. JCM312/French Feminism, Continued: Agnès Varda (Discussion)
  75. JCM312/French Feminism, Continued: Agnès Varda (Lecture)
  76. JCM312/French Modernism: Jean-Luc Godard & Bertolt Brecht (Discussion)
  77. JCM312/French New Wave I: Alain Resnais (Discussion)
  78. JCM312/French New Wave II: François Truffaut (Discussion)
  79. JCM312/French New Wave III: Éric Rohmer (Discussion)
  80. JCM312/Godard Since 1968 (Discussion)
  81. JCM312/Godard and Contemporary Feminism (Discussion)
  82. JCM312/Mise-en-scene
  83. JCM312/Narrative Structure
  84. JCM312/Sound
  85. JCM312/The Avant-Garde (Discussion)
  86. JCM312 International Cinema
  87. JCM412-512 Seminar in American Cinema
  88. JCM412512/Analytical Exercise (Discussion)
  89. JCM412512/Cinematography (Discussion)
  90. JCM412512/Editing (Discussion)
  91. JCM412512/Mise-en-scene (Discussion)
  92. JCM412512/Narrative Form (Discussion)
  93. JCM412512/Sound (Discussion)
  94. Keaton shorts
  95. Lana Turner as Star (Discussion)
  96. Lecture/discussion notes
  97. Link to something in Screenpedia
  98. MHRA Style Guide
  99. Main Page
  100. Melodrama Variations: TV Soap Opera (Discussion)
  101. Mise-en-Scene (Discussion)
  102. Music Television (Discussion)
  103. My Wife's Relations
  104. Narrative Structure (Discussion)
  105. Narrative Theory II
  106. Noir & Sexuality (Discussion)
  107. Postmodernism (Discussion)
  108. Production Studies (Discussion)
  109. Readings/Godard Since 1968 and Claire Denis
  110. Readings/Representation of Women, Continued: Agnès Varda
  111. Screenpedia:Help
  112. Screenpedia:Sandbox
  113. Semiotics (Discussion)
  114. Semiotics II (Discussion)
  115. Sound (Discussion)
  116. Study guide instructions
  117. Style and Stylistics (Discussion)
  118. Style and the Camera (Discussion)
  119. TCF112/Auteur Theory
  120. TCF112/Bazinian Realism
  121. TCF112/Classical Hollywood Cinema
  122. TCF112/Documentary Form
  123. TCF112/Early Cinema
  124. TCF112/Feminism and Film
  125. TCF112/French New Wave
  126. TCF112/German Silent Film
  127. TCF112/Italian Neorealism
  128. TCF112/New German Cinema
  129. TCF112/Russian Formalism
  130. TCF112/Silent Film Comedy
  131. TCF112/The Breakdown of Hollywood Classicism
  132. TCF112/The Evolution of Narrative Film
  133. TCF340/Analytical Exercise (Discussion)
  134. TCF340/BordwellThompson/Cinematography (Discussion)
  135. TCF340/BordwellThompson/Classical Style (Discussion)
  136. TCF340/BordwellThompson/Editing (Discussion)
  137. TCF340/BordwellThompson/Mise-en-scene (Discussion)
  138. TCF340/BordwellThompson/Narrative Form (Discussion)
  139. TCF340/BordwellThompson/Sound (Discussion)
  140. TCF340/Cinema Ascetic: Robert Bresson (Discussion)
  141. TCF340/Godard Since 1968 and Claire Denis (Discussion)
  142. TCF440540/BordwellThompson/Cinematography (Discussion)
  143. TCF440540/BordwellThompson/Mise-en-scene (Discussion)
  144. TCF 112 Motion Picture History and Criticism
  145. TCF 311 Exam 3
  146. TV Structure (Discussion)
  147. Telecommunication and Film Department
  148. Television Studies: An Overview (Discussion)
  149. The Balloonatic
  150. The Blacksmith
  151. The Chicago Manual of Style
  152. The Commercial (Discussion)
  153. The Electric House
  154. The Frozen North
  155. The High Sign
  156. The High Sign by Josh
  157. The High Sign by Kate
  158. The MLA style manual
  159. The Paleface
  160. The Scarecrow
  161. The Scarecrow by Architha
  162. The Scarecrow by Gardner
  163. University of Alabama

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