Difference between revisions of "Style and Stylistics (Discussion)"

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You may substitute ''Unbreakable Kimmy Schmidt'' for ''The Mindy Project''.
 
 
 
==''Television: Visual Storytelling and Screen Culture''==
 
==''Television: Visual Storytelling and Screen Culture''==
  
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=="Televisuality and the Resurrection of the Sitcom in the 2000s"==
 
=="Televisuality and the Resurrection of the Sitcom in the 2000s"==
View a scene from ''The Mindy Project'' (see Blackboard).
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View a scene from ''The Mindy Project'' (see Blackboard and [http://tvcrit.org/Classes/Jbutler/BUI301/MindyProject_20131112/index.html screenshots online]).
  
 
*'''All Groups:''' List at least three aspects of the ''The Mindy Project'' scene that mark it as single-camera production.
 
*'''All Groups:''' List at least three aspects of the ''The Mindy Project'' scene that mark it as single-camera production.
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<gallery mode="packed" heights=400px>
 
<gallery mode="packed" heights=400px>
File:MindyProject20131111 ProductionStill.jpg|alt=The Mindy Project screen shot.|Morgan, Mindy, Cliff, and Yana (from left).
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File:Mindyproject 20131112qq00 00 55qq00040.jpg|alt=The Mindy Project screenshot.|Morgan, Mindy, Cliff, and Yana (from left).
 
</gallery>
 
</gallery>
  
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*[http://www.tvstylebook.com/pix/images-by-chapter/?album=1&gallery=15 ''Television Style'' illustrations]
 
*[http://www.tvstylebook.com/pix/images-by-chapter/?album=1&gallery=15 ''Television Style'' illustrations]
 
*[http://www.tvstylebook.com/ ''Television Style'' official homepage]
 
*[http://www.tvstylebook.com/ ''Television Style'' official homepage]
*[http://tcf.ua.edu/EO/DV/MindyProject20131112Opening.php ''The Mindy Project'' clip]
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*[http://tvcrit.org/Classes/Jbutler/BUI301/MindyProject_20131112/index.html ''The Mindy Project'' screenshots]
 
*[http://www.tcf.ua.edu/EO/DV/NewGirl.php ''New Girl'' clip]
 
*[http://www.tcf.ua.edu/EO/DV/NewGirl.php ''New Girl'' clip]
 
*[http://tvcrit.com/find/howimet Hybrid mode of production] in ''How I Met Your Mother''
 
*[http://tvcrit.com/find/howimet Hybrid mode of production] in ''How I Met Your Mother''
*[https://tcf.ua.edu/EO/DV/UnbreakableKimmieSchmidt_S3Ep_12_1280x720pxExcerpt.php ''Unbreakable Kimmy Schmidt'']
 
  
 
[[Category:BUI301]]
 
[[Category:BUI301]]

Revision as of 21:44, 20 October 2020

Television: Visual Storytelling and Screen Culture

Group 1: Pretend you are "evaluative" and "descriptive" stylisticians. How would you study The Mindy Project? Devise a research project that you might attempt with this TV text.

Group 2: Pretend you are an "analytic" stylistician. How would you study The Mindy Project? Devise a research project that you might attempt with this TV text. Be sure to account for the following "functions" of style discussed in the textbook.

  • symbolize
  • decorate

Group 3: Pretend you are an "analytic" stylistician. How would you study The Mindy Project? Devise a research project that you might attempt with this TV text. Be sure to account for the following "functions" of style discussed in the textbook.

  • persuade
  • hail or interpellate
  • differentiate

Groups 4: Pretend you are a "historical" stylistician. How would you study The Mindy Project? Devise a research project that you might attempt with this TV text. Be sure to account for "craft practices" and "schemas."

"Televisuality and the Resurrection of the Sitcom in the 2000s"

View a scene from The Mindy Project (see Blackboard and screenshots online).

  • All Groups: List at least three aspects of the The Mindy Project scene that mark it as single-camera production.
  • All groups: Table 5.3 in "Televisuality and the Resurrection of the Sitcom in the 2000s" lists elements of the "single-camera televisual schema". Is The Mindy Project "televisual", in addition to being a single-camera production? Identify any elements from this table in the scene.

Bibliography

  1. Butler, Jeremy G. Television: Visual Storytelling and Screen Culture. NY: Routledge, 2018.
  2. Butler, Jeremy G. "Televisuality and the Resurrection of the Sitcom in the 2000s," in Television Style (NY: Routledge, 2010), 173-222.

External links