Difference between revisions of "TCF112/The Breakdown of Hollywood Classicism"
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− | == | + | ==Drastically declining profits== |
− | * | + | *Studios combined profits: |
− | ** | + | **1946 $121 million |
− | + | **1956 $32 million | |
− | + | *Actors under contract | |
− | + | **1947 742 | |
− | + | **1956 229 | |
− | + | ==Cause of the Decline== | |
− | |||
− | |||
− | * | ||
− | ** | ||
− | ** | ||
− | == | ||
− | * | + | #"Baby Boom" |
− | * | + | #*1945-60 |
− | ** | + | #Paramount Case |
− | ** | + | #*Hollywood film industry divided into: |
− | ** | + | #**Production |
− | ** | + | #**Distribution |
− | *** | + | #**Exhibition |
− | *** | + | #**Which was vertically integrated |
− | *** | + | #*Major studios: |
− | ** | + | #**MGM, Paramount, RKO, 20th Century-Fox, Warners |
− | == | + | #*Minor studios: |
+ | #**Columbia, Universal, UA | ||
+ | #*For current studios, see "Box Office Report " | ||
+ | #*1948 Supreme Court orders "divorcement" | ||
+ | #**Encourages "independent" production | ||
+ | #***1958: 65% of US films created by indies | ||
+ | #House Un-American Activities Comm.--HUAC | ||
+ | #*1947 Investigations begun into presumed communist activities | ||
+ | #**"Hollywood 10" refused to cooperate | ||
+ | #**Studios initially resisted HUAC, but soon caved in | ||
+ | #*1951 HUAC returned | ||
+ | #**90 persons testified | ||
+ | #**"Naming names" | ||
+ | #**Blacklisting began | ||
+ | #Rise of TV | ||
+ | #*1947 14,000 TV sets in US | ||
+ | #*1948 172,000 | ||
+ | #*1949 1,000,000 | ||
+ | #*1950 4,000,000 | ||
+ | #*End of '50s: 90% of US homes | ||
+ | ==Response to and Effects of the Decline== | ||
− | * | + | #Technological innovations |
− | ** | + | ##3-D |
− | * | + | ##Color |
− | ** | + | ##*1935 Becky Sharp |
− | *** | + | ##**First 3-color Technicolor feature film |
− | *** | + | ##*1950s inexpensive Eastmancolor developed |
− | ** | + | ##Stereo sound |
− | ** | + | ##Widescreen aspect ratios |
− | *** | + | ##*Academy Ratio = 3 to 4 |
− | *** | + | ##**Same as TV |
+ | ##**1 to 1.33333333... or | ||
+ | ##**1.33 | ||
+ | ##*Cinerama | ||
+ | ##**Three-projector system | ||
+ | ##*CinemaScope--20th Century-Fox | ||
+ | ##**Anamorphic process | ||
+ | ##**1 to 2.35 | ||
+ | ##*Masked widescreen | ||
+ | ##**1 to 1.85 | ||
+ | ##*Film-to-video conversion | ||
+ | ##**Examples from ''He Said, She Sai and Ronin'' | ||
+ | ##**Letterboxing | ||
+ | ##**Pan-and-scan | ||
+ | #Changes in Subject Matter (Content) | ||
+ | #*Breakdown of Production Code |
Revision as of 16:18, 17 April 2013
Drastically declining profits
- Studios combined profits:
- 1946 $121 million
- 1956 $32 million
- Actors under contract
- 1947 742
- 1956 229
Cause of the Decline
- "Baby Boom"
- 1945-60
- Paramount Case
- Hollywood film industry divided into:
- Production
- Distribution
- Exhibition
- Which was vertically integrated
- Major studios:
- MGM, Paramount, RKO, 20th Century-Fox, Warners
- Minor studios:
- Columbia, Universal, UA
- For current studios, see "Box Office Report "
- 1948 Supreme Court orders "divorcement"
- Encourages "independent" production
- 1958: 65% of US films created by indies
- Encourages "independent" production
- Hollywood film industry divided into:
- House Un-American Activities Comm.--HUAC
- 1947 Investigations begun into presumed communist activities
- "Hollywood 10" refused to cooperate
- Studios initially resisted HUAC, but soon caved in
- 1951 HUAC returned
- 90 persons testified
- "Naming names"
- Blacklisting began
- 1947 Investigations begun into presumed communist activities
- Rise of TV
- 1947 14,000 TV sets in US
- 1948 172,000
- 1949 1,000,000
- 1950 4,000,000
- End of '50s: 90% of US homes
Response to and Effects of the Decline
- Technological innovations
- 3-D
- Color
- 1935 Becky Sharp
- First 3-color Technicolor feature film
- 1950s inexpensive Eastmancolor developed
- 1935 Becky Sharp
- Stereo sound
- Widescreen aspect ratios
- Academy Ratio = 3 to 4
- Same as TV
- 1 to 1.33333333... or
- 1.33
- Cinerama
- Three-projector system
- CinemaScope--20th Century-Fox
- Anamorphic process
- 1 to 2.35
- Masked widescreen
- 1 to 1.85
- Film-to-video conversion
- Examples from He Said, She Sai and Ronin
- Letterboxing
- Pan-and-scan
- Academy Ratio = 3 to 4
- Changes in Subject Matter (Content)
- Breakdown of Production Code