Difference between revisions of "TCF112/The Breakdown of Hollywood Classicism"

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(Created page with "==The Arrival of Sound== *;The Jazz Singer (1927) **Al Jolson *;A backwards step for film art **Studio productions (no location work) **Fewer close-ups **Little or no camera ...")
 
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==The Arrival of Sound==
+
==Drastically declining profits==
  
*;The Jazz Singer (1927)
+
*Studios combined profits:
**Al Jolson
+
**1946 $121 million
*;A backwards step for film art
+
**1956 $32 million
**Studio productions (no location work)
+
*Actors under contract
**Fewer close-ups
+
**1947 742
**Little or no camera movement
+
**1956 229
**Dialogue heavy
+
==Cause of the Decline==
**No post-production mixing
 
***3 stages of production
 
***#Pre-production
 
***#"Production"
 
***#Post-Production
 
==Narrative structure==
 
  
*;Production Code (1934)
+
#"Baby Boom"
*;Conventional narrative structure
+
#*1945-60
**One or two protagonists
+
#Paramount Case
**Desire catylizes story
+
#*Hollywood film industry divided into:
**Antagonist
+
#**Production
**Cause-effect chain
+
#**Distribution
***A causes B (effect)
+
#**Exhibition
***B causes C (effect)
+
#**Which was vertically integrated
***C causes D
+
#*Major studios:
**Closure
+
#**MGM, Paramount, RKO, 20th Century-Fox, Warners
==Visual Style==
+
#*Minor studios:
 +
#**Columbia, Universal, UA
 +
#*For current studios, see "Box Office Report "
 +
#*1948 Supreme Court orders "divorcement"
 +
#**Encourages "independent" production
 +
#***1958: 65% of US films created by indies
 +
#House Un-American Activities Comm.--HUAC
 +
#*1947 Investigations begun into presumed communist activities
 +
#**"Hollywood 10" refused to cooperate
 +
#**Studios initially resisted HUAC, but soon caved in
 +
#*1951 HUAC returned
 +
#**90 persons testified
 +
#**"Naming names"
 +
#**Blacklisting began
 +
#Rise of TV
 +
#*1947 14,000 TV sets in US
 +
#*1948 172,000
 +
#*1949 1,000,000
 +
#*1950 4,000,000
 +
#*End of '50s: 90% of US homes
 +
==Response to and Effects of the Decline==
  
*;Three-Point Lighting
+
#Technological innovations
**Key, Fill and Back Lights
+
##3-D
*;The Continuity Editing System ("invisible" editing)
+
##Color
**The 180 Degree Rule
+
##*1935 Becky Sharp
***Axis of action
+
##**First 3-color Technicolor feature film
***Screen direction
+
##*1950s inexpensive Eastmancolor developed
**Shot-counter shot
+
##Stereo sound
**Match cuts
+
##Widescreen aspect ratios
***Match-on-action
+
##*Academy Ratio = 3 to 4
***Eyeline match
+
##**Same as TV
 +
##**1 to 1.33333333... or
 +
##**1.33
 +
##*Cinerama
 +
##**Three-projector system
 +
##*CinemaScope--20th Century-Fox
 +
##**Anamorphic process
 +
##**1 to 2.35
 +
##*Masked widescreen
 +
##**1 to 1.85
 +
##*Film-to-video conversion
 +
##**Examples from ''He Said, She Sai and Ronin''
 +
##**Letterboxing
 +
##**Pan-and-scan
 +
#Changes in Subject Matter (Content)
 +
#*Breakdown of Production Code

Revision as of 16:18, 17 April 2013

Drastically declining profits

  • Studios combined profits:
    • 1946 $121 million
    • 1956 $32 million
  • Actors under contract
    • 1947 742
    • 1956 229

Cause of the Decline

  1. "Baby Boom"
    • 1945-60
  2. Paramount Case
    • Hollywood film industry divided into:
      • Production
      • Distribution
      • Exhibition
      • Which was vertically integrated
    • Major studios:
      • MGM, Paramount, RKO, 20th Century-Fox, Warners
    • Minor studios:
      • Columbia, Universal, UA
    • For current studios, see "Box Office Report "
    • 1948 Supreme Court orders "divorcement"
      • Encourages "independent" production
        • 1958: 65% of US films created by indies
  3. House Un-American Activities Comm.--HUAC
    • 1947 Investigations begun into presumed communist activities
      • "Hollywood 10" refused to cooperate
      • Studios initially resisted HUAC, but soon caved in
    • 1951 HUAC returned
      • 90 persons testified
      • "Naming names"
      • Blacklisting began
  4. Rise of TV
    • 1947 14,000 TV sets in US
    • 1948 172,000
    • 1949 1,000,000
    • 1950 4,000,000
    • End of '50s: 90% of US homes

Response to and Effects of the Decline

  1. Technological innovations
    1. 3-D
    2. Color
      • 1935 Becky Sharp
        • First 3-color Technicolor feature film
      • 1950s inexpensive Eastmancolor developed
    3. Stereo sound
    4. Widescreen aspect ratios
      • Academy Ratio = 3 to 4
        • Same as TV
        • 1 to 1.33333333... or
        • 1.33
      • Cinerama
        • Three-projector system
      • CinemaScope--20th Century-Fox
        • Anamorphic process
        • 1 to 2.35
      • Masked widescreen
        • 1 to 1.85
      • Film-to-video conversion
        • Examples from He Said, She Sai and Ronin
        • Letterboxing
        • Pan-and-scan
  2. Changes in Subject Matter (Content)
    • Breakdown of Production Code