Difference between revisions of "TCF112/The Evolution of Narrative Film"
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==D. W. Griffith (1875-1948)== | ==D. W. Griffith (1875-1948)== | ||
| − | E.g., The Lonedale Operator (1911) | + | E.g., ''The Lonedale Operator'' (1911) |
| − | E.g., Birth of a Nation (1915) | + | E.g., ''Birth of a Nation'' (1915) |
| − | Variation of camera position | + | #Variation of camera position |
| − | Close-ups | + | ##Close-ups |
| − | Lighting | + | #Lighting |
| − | Iris | + | #Iris |
| − | Intertitles | + | #Intertitles |
| − | Editing | + | #Editing |
| − | Scenes broken down into several shots | + | ##Scenes broken down into several shots |
| − | Parallel editing | + | ##Parallel editing |
| − | Longer films | + | #Longer films |
| + | |||
| + | [[Category:TCF112]] | ||
| + | [[Category:TCF112 Lecture]] | ||
Latest revision as of 21:31, 14 August 2019
Edwin S. Porter (1870-1941)
- E.g., Life of an American Fireman (January 1903)
- E.g., The Great Train Robbery (December 1903)
Differences from Méliès
- Begins to break scenes down into individual shots
- Outdoor scenes--on location
- Primitive camera movement
- Primitive framing variation
- Close-ups--but only rarely
D. W. Griffith (1875-1948)
E.g., The Lonedale Operator (1911) E.g., Birth of a Nation (1915)
- Variation of camera position
- Close-ups
- Lighting
- Iris
- Intertitles
- Editing
- Scenes broken down into several shots
- Parallel editing
- Longer films
