Difference between revisions of "TCF340/Analytical Exercise (Discussion)"
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#'''Group 4:''' How do the cinematographic qualities of the single shot indicated in class (see below) function in terms of the narrative? | #'''Group 4:''' How do the cinematographic qualities of the single shot indicated in class (see below) function in terms of the narrative? | ||
#'''Group 1:''' How does ''My Other Husband'' "develop" and what does a comparison of its beginning with its ending tell us about that development? | #'''Group 1:''' How does ''My Other Husband'' "develop" and what does a comparison of its beginning with its ending tell us about that development? | ||
+ | #'''All Groups:''' How do the "story" and the "plot" of My Other Husband differ in order, duration and frequency? | ||
http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/images/MyOtherHusband21_jpg.jpg | http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/images/MyOtherHusband21_jpg.jpg |
Revision as of 15:25, 9 September 2008
- Group 2: How does the mise-en-scene of the party scene function in terms of the narrative?
- Group 3: Diagram all of this sequence's camera and actor positions from an overhead view. Does its editing adhere to the 180 degree system?
- Group 4: How do the cinematographic qualities of the single shot indicated in class (see below) function in terms of the narrative?
- Group 1: How does My Other Husband "develop" and what does a comparison of its beginning with its ending tell us about that development?
- All Groups: How do the "story" and the "plot" of My Other Husband differ in order, duration and frequency?
http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/images/MyOtherHusband21_jpg.jpg
Bibliography
- David Bordwell and Kristin Thompson, Film Art: An Introduction, 8th ed. (New York: McGraw-Hill, 2007).