Difference between revisions of "TCF340/Analytical Exercise (Discussion)"

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#'''Group 2:''' How does the mise-en-scene of the party scene function in terms of the narrative?
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#How does the mise-en-scene of the scene between Vincent and Alice function in terms of the narrative?
#'''Group 3:''' Diagram all of this sequence's camera and actor positions from an overhead view. Does its editing adhere to the 180 degree system?
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#Diagram all of this scene's camera and actor positions from an overhead view. Does its editing adhere to the 180 degree system?
#'''Group 4:''' How do the cinematographic qualities of the single shot indicated in class (see below) function in terms of the narrative?
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#How does the cinematography of the single shot indicated in class (see below) function in terms of the narrative?
#'''Group 1:''' How does ''My Other Husband'' "develop" and what does a comparison of its beginning with its ending tell us about that development?
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#Explain in your own words what the concept of "sound perspective" means and how it might be manipulated by a director and his/her sound editor.
#'''All Groups:''' How do the "story" and the "plot" of ''My Other Husband'' differ in order, duration and frequency?
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#What is the central narrative enigma of ''My Other Husband''? Comparing the film's beginning and ending, how is that enigma posed to the viewer and is it resolved or not at the end?
#'''All Groups:''' What do Bordwell and Thompson call the element of sound design which creates "a sense of spatial distance and location analogous to the cues for visual depth and volume"?
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#How do the story time and the screen time of ''My Other Husband'' differ in order and duration?
 
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{{Gallery
http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/images/MyOtherHusband21_jpg.jpg
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|title=''My Other Husband'': Cinematography
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|width=400
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|lines=1
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|align=center
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|File:MyOtherHusband21 jpg.jpg|alt1=''My Other Husband'' screen shot.|Philippe (above) and Vincent in bunk beds.
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}}
  
 
== Bibliography ==
 
== Bibliography ==
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'', 8th ed. (New York: McGraw-Hill, 2007).
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#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, 2012).
  
 
==External links==
 
==External links==
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/F08/AnalyticalExercise.htm Analytical Exercise]
 
 
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/index.htm Analytical Exercise examples]
 
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/MyOtherHusband/index.htm Analytical Exercise examples]
#*[http://www.tcf.ua.edu/eo/dv/MyOtherHusbandQT.htm Christmas party scene (Quicktime)]
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#*[http://www.tcf.ua.edu/EO/DV/MyOtherHusband_24_54.php Vincent and Alice scene (video clip)]
  
 
[[Category:TCF340 Discussion]]
 
[[Category:TCF340 Discussion]]

Latest revision as of 21:31, 14 August 2019

  1. How does the mise-en-scene of the scene between Vincent and Alice function in terms of the narrative?
  2. Diagram all of this scene's camera and actor positions from an overhead view. Does its editing adhere to the 180 degree system?
  3. How does the cinematography of the single shot indicated in class (see below) function in terms of the narrative?
  4. Explain in your own words what the concept of "sound perspective" means and how it might be manipulated by a director and his/her sound editor.
  5. What is the central narrative enigma of My Other Husband? Comparing the film's beginning and ending, how is that enigma posed to the viewer and is it resolved or not at the end?
  6. How do the story time and the screen time of My Other Husband differ in order and duration?

Template:Gallery

Bibliography

  1. Jeremy G. Butler, Television: Critical Methods and Applications (New York: Routledge, 2012).

External links

  1. Analytical Exercise examples