TCF440540/BordwellThompson/Cinematography (Discussion)
From Screenpedia
Revision as of 16:13, 20 January 2010 by Jeremy Butler (talk | contribs)
- Group 3: What is depth of field?
- Define these terms and provides examples of when these techniques might be used:
- Shallow focus
- Deep focus
- Pulling focus (What's another name for it?)
- Define these terms and provides examples of when these techniques might be used:
- Group 4: What is focal length?
- Define these focal-length terms and provides examples of when these techniques might be used:
- Wide angle
- Telephoto
- Variable focal length lens (what's another, more common name for it?)
- Define these focal-length terms and provides examples of when these techniques might be used:
- Group 1: What is aspect ratio?
- Define these terms
- Academy Ratio: 1.33 : 1 or 4 : 3
- Widescreen
- Anamorphic 2.35 or 2.4 : 1
- Masked 1.85 : 1
- TV widescreen: 16 : 9 or 1.78 : 1
- What are the aspect ratios of Ordinary People, Shakespeare in Love and Monster's Ball?
- Define these terms
- Group 2: What do B/T mean by the "mobile frame"?
- Explain the differences among these types of mobile frames and provides examples of when these techniques are used in the Shakespeare in Love clip:
- Pan
- Tilt
- Tracking or dolly shot
- Explain the difference between a tracking/dolly shot and a zoom.
- Explain the differences among these types of mobile frames and provides examples of when these techniques are used in the Shakespeare in Love clip:
Cinematography and narrative
All groups:
In the Monster's Ball scene we viewed, what narrative functions does the cinematography serve? Be sure to consider deep/shallow focus, focus shifts and framing in the third shot.
Bibliography
- David Bordwell and Kristin Thompson, Film Art: An Introduction, 9th ed. (New York: McGraw-Hill, 2010).