Difference between revisions of "Domestic Melodrama as Genre (Discussion)"
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#Molly Haskell, "The Woman's Film," in ''From Reverence to Rape: The Treatment of Women in the Movies'' (New York: Penguin, 1974; revised edition 1987) 153-188. | #Molly Haskell, "The Woman's Film," in ''From Reverence to Rape: The Treatment of Women in the Movies'' (New York: Penguin, 1974; revised edition 1987) 153-188. | ||
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[[Category:TCF440/540 Discussion]] | [[Category:TCF440/540 Discussion]] | ||
Revision as of 14:54, 27 March 2008
Readings
Molly Haskell
- What three types of women does Haskell find in the woman's film? Who would be a recent example of each type?
- What are the woman's film's four main themes? Do you see them operating in the two melodramas we've viewed: Ordinary People and Imitation of Life (1934)?
- How is hostility toward children expressed in the woman's film?
- Haskell discusses Joan Crawford's image at length--starting on p. 175 (CP p. 197). (Crawford stars in the last film of the semester, Mildred Pierce.) What "transition" does Haskell see that image going through? And what significance does she argue that transition has?
Bibliography
- Molly Haskell, "The Woman's Film," in From Reverence to Rape: The Treatment of Women in the Movies (New York: Penguin, 1974; revised edition 1987) 153-188.
