Difference between revisions of "Genre Study (Discussion)"
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| − | + | '''Group 2''': What dilemma do genre scholars face when trying to define a genre? Explain the ''theoretical'' way of escaping that dilemma and the ''historical'' way of escaping it. Within your group, conduct a survey to determine what its "cultural consensus" is for the definition of the sitcom. You may wish to refer to sitcoms we've seen in class. | |
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| − | + | '''Group 3''': Genres may be defined based on their ''stylistic schema''. Explain that phrase and how it might be used to define a genre. According to the Mittell chapter, how might ''Dragnet'' fit into a stylistic schema? | |
| − | '''Group | + | '''Group 4''': Genres may be defined by their subject matter--specifically, their ''narrative structure'' and ''themes''. Explain how Kaminsky and Mahan articulate the police show's narrative structure. Does the episode of ''Dragnet'' we watched support their argument? Explain the thematic structure that Hurd finds in the police show. Does this ''Dragnet'' episode support his argument? |
| − | + | '''Group 1''': | |
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| − | '''Group 1''': | ||
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==All groups== | ==All groups== | ||
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#List two strength(s) of genre analysis. List two weaknesses of this approach. | #List two strength(s) of genre analysis. List two weaknesses of this approach. | ||
== Bibliography == | == Bibliography == | ||
| − | # | + | #Jeremy G. Butler, ''Television: Critical Methods and Applications'' (NY: Routledge, 2011). |
| − | # | + | #Jason Mittell, ''Genre and Television: From Cop Show to Cartoons in American Culture'' (NY: Routledge, 2004). |
==External links== | ==External links== | ||
Revision as of 15:12, 2 November 2010
Group 2: What dilemma do genre scholars face when trying to define a genre? Explain the theoretical way of escaping that dilemma and the historical way of escaping it. Within your group, conduct a survey to determine what its "cultural consensus" is for the definition of the sitcom. You may wish to refer to sitcoms we've seen in class.
Group 3: Genres may be defined based on their stylistic schema. Explain that phrase and how it might be used to define a genre. According to the Mittell chapter, how might Dragnet fit into a stylistic schema?
Group 4: Genres may be defined by their subject matter--specifically, their narrative structure and themes. Explain how Kaminsky and Mahan articulate the police show's narrative structure. Does the episode of Dragnet we watched support their argument? Explain the thematic structure that Hurd finds in the police show. Does this Dragnet episode support his argument?
Group 1:
All groups
- List two strength(s) of genre analysis. List two weaknesses of this approach.
Bibliography
- Jeremy G. Butler, Television: Critical Methods and Applications (NY: Routledge, 2011).
- Jason Mittell, Genre and Television: From Cop Show to Cartoons in American Culture (NY: Routledge, 2004).
