Difference between revisions of "JCM312/Editing"

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|File:Fig09-05 180 Degree.jpg|alt1=180-Degree Diagram from ''Television''.|180-Degree Diagram.
 
|File:Fig09-05 180 Degree.jpg|alt1=180-Degree Diagram from ''Television''.|180-Degree Diagram.
 
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#What is "continuity editing"?  In what sense is it "continuous"?
 
#'''Group 4:''' Where does the 180-degree rule get its name? ([http://tvcrit.com/find/180degreerule Peter John Ross's example])
 
#*What is its purpose?
 
#What are each of the following editing conventions?
 
#*'''Group 5:''' Establishing shot and re-establishing shot
 
#*'''Group 1:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
 
#*Match cuts:
 
#**'''Group 2:''' Eyeline match
 
#**'''Group 3:''' Match on action
 
#*'''ALL Groups:''' Jump cut
 
  
 
==Scene découpage==
 
==Scene découpage==
 
#''Television'' discusses the editing of [http://tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage.
 
#''Television'' discusses the editing of [http://tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage.
 
#*We can create a [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
 
#*We can create a [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
#*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
+
#*Does this scene use the editing conventions listed below? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
 +
##'''Group 4:''' The 180-degree rule. ([http://tvcrit.com/find/180degreerule Peter John Ross's example])
 +
##*Where does it get its name?
 +
##*What is its purpose?
 +
##'''Group 5:''' Establishing shot and re-establishing shot
 +
##'''Group 1:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
 +
##Match cuts:
 +
##*'''Group 2:''' Eyeline match
 +
##*'''Group 3:''' Match on action
 +
##'''ALL Groups:''' Jump cut
 +
 
  
 
==External links==
 
==External links==

Revision as of 00:43, 1 September 2016

Template:Gallery

Scene découpage

  1. Television discusses the editing of this scene from Grey's Anatomy, breaking it down in what the book calls a découpage.
    • We can create a similar découpage of a scene from Steven Soderbergh's Out of Sight, featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just one diagram that shows all the camera and actor positions.)
    • Does this scene use the editing conventions listed below? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
    1. Group 4: The 180-degree rule. (Peter John Ross's example)
      • Where does it get its name?
      • What is its purpose?
    2. Group 5: Establishing shot and re-establishing shot
    3. Group 1: Shot/reverse-shot (sometimes called "shot/counter-shot")
    4. Match cuts:
      • Group 2: Eyeline match
      • Group 3: Match on action
    5. ALL Groups: Jump cut


External links

  1. Television Chapter 9 illustrations
  2. Classical Hollywood editing examples
  3. Film Art examples
  4. Out of Sight découpage

Bibliography

  1. Jeremy G. Butler, Television: Critical Methods and Applications (New York: Routledge, 2012).
  2. David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: McGraw-Hill).