Difference between revisions of "JCM412512/Editing (Discussion)"

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(→‎Continuity editing: removed TV:CM&A reference)
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==Continuity editing==
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{{Gallery
#'''All groups:''' What is "continuity editing"?  In what sense is it "continuous"?
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|title=''Television'': Editing Chapter
#'''Group 1:''' Where does the 180-degree system get its name?
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|width=400
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|lines=1
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|align=center
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|File:Fig09-05 180 Degree.jpg|alt1=180-Degree Diagram from ''Television''.|180-Degree Diagram.
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}}
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#What is "continuity editing"?  In what sense is it "continuous"?
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#Where does the 180-degree rule get its name? ([http://tvcrit.com/find/180degreerule See Peter John Ross's example])
 
#*What is its purpose?
 
#*What is its purpose?
#What are each of the following editing conventions? Describe an example of each.
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#What are each of the following editing conventions?
#*'''Group 2:''' Establishing shot and re-establishing shot
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#*Establishing shot
#*'''Group 3:''' Shot/reverse-shot (sometimes called "shot/counter-shot")
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#*Shot/reverse-shot (sometimes called "shot/counter-shot")
#*'''Group 4:''' Match cuts, specifically:
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#*Match cuts:
 
#**Eyeline match
 
#**Eyeline match
 
#**Match on action
 
#**Match on action
#**And their opposite, the jump cut
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#*Jump cut
  
 
Are these editing conventions used in [http://www.tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php this scene from ''Out of the Past''?]
 
Are these editing conventions used in [http://www.tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php this scene from ''Out of the Past''?]
  
 
==Scene découpage==
 
==Scene découpage==
'''All groups, each student individually:'''
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'''Each student individually:'''
#''Film Art'''s CD-ROM discusses the editing of a scene from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm scene decoupage], draw an overhead diagram of the camera positions of all eight shots--similar to the diagram in ''Television''.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
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#''Television'' discusses the editing of [http://tvcrit.com/find/greysanatomy this scene from ''Grey's Anatomy''], breaking it down in what the book calls a découpage.
#*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. Even Bordwell and Thompson incorrectly describe it on the CD-ROM.
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#*We can create a [http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm similar découpage of a scene] from Steven Soderbergh's ''Out of Sight'', featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above.  (Draw just ''one'' diagram that shows ''all'' the camera and actor positions.)
 
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#*Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!
== Bibliography ==
 
#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (Routledge)
 
#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (McGraw-Hill).
 
  
 
==External links==
 
==External links==
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#[http://www.routledge.com/cw/butler-9780415883283/s1/gallery-09/ ''Television'' Chapter 9 illustrations]
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#[http://www.tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php ''Out of the Past'' gallows scene.]
 
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood editing examples]
 
#[http://www.tcf.ua.edu/Classes/Jbutler/T340/ClassicismIllustrations01.htm Classical Hollywood editing examples]
#[http://www.tcf.ua.edu/EO/DV/OutOfThePast_Gallows.php ''Out of the Past'' gallows scene.]
 
 
#[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
 
#[http://www.tcf.ua.edu/EO/DV/FilmArt/index02.htm ''Film Art'' examples]
 
#[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
 
#[http://tvcrit.com/find/greysanatomy ''Grey's Anatomy'' scene]
 
#[http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm ''Out of Sight'' découpage]
 
#[http://www.tcf.ua.edu/EO/DV/FilmArt/OutOfSightStills/index.htm ''Out of Sight'' découpage]
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== Bibliography ==
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#Jeremy G. Butler, ''Television: Critical Methods and Applications'' (New York: Routledge, 2012).
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#David Bordwell and Kristin Thompson, ''Film Art: An Introduction'' (New York: McGraw-Hill).
  
 
[[Category:TCF440/540 Discussion]]
 
[[Category:TCF440/540 Discussion]]

Revision as of 21:52, 24 January 2013

Template:Gallery

  1. What is "continuity editing"? In what sense is it "continuous"?
  2. Where does the 180-degree rule get its name? (See Peter John Ross's example)
    • What is its purpose?
  3. What are each of the following editing conventions?
    • Establishing shot
    • Shot/reverse-shot (sometimes called "shot/counter-shot")
    • Match cuts:
      • Eyeline match
      • Match on action
    • Jump cut

Are these editing conventions used in this scene from Out of the Past?

Scene découpage

Each student individually:

  1. Television discusses the editing of this scene from Grey's Anatomy, breaking it down in what the book calls a découpage.
    • We can create a similar découpage of a scene from Steven Soderbergh's Out of Sight, featuring Jack Foley (George Clooney) and Karen Sisco (Jennifer Lopez). Using this découpage, draw an overhead diagram of the camera positions of all eight shots--similar to the 180-degree diagram above. (Draw just one diagram that shows all the camera and actor positions.)
    • Does this scene use the editing conventions listed above? Be specific. Hint: be sure to look closely at the first shot. It's a reflection in the window!

External links

  1. Television Chapter 9 illustrations
  2. Out of the Past gallows scene.
  3. Classical Hollywood editing examples
  4. Film Art examples
  5. Grey's Anatomy scene
  6. Out of Sight découpage

Bibliography

  1. Jeremy G. Butler, Television: Critical Methods and Applications (New York: Routledge, 2012).
  2. David Bordwell and Kristin Thompson, Film Art: An Introduction (New York: McGraw-Hill).