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- Keaton shorts (7 revisions)
- BordwellThompson/Sound (Discussion) (7 revisions)
- Readings/Representation of Women, Continued: Agnès Varda (7 revisions)
- TCF112/Russian Formalism (7 revisions)
- The Electric House (7 revisions)
- TCF112/Auteur Theory (7 revisions)
- BordwellThompson/Editing (Discussion) (8 revisions)
- Film Noir as Genre (Lecture) (8 revisions)
- The Balloonatic (8 revisions)
- Day Dreams (8 revisions)
- The Blacksmith (8 revisions)
- JCM212 Film and Media Theory (8 revisions)
- TCF112/German Silent Film (8 revisions)
- TCF340/BordwellThompson/Editing (Discussion) (8 revisions)
- JCM312/French Feminism, Continued: Agnès Varda (Discussion) (8 revisions)
- BUI301F2022/Verbal Humor (9 revisions)
- TCF 311 Exam 3 (9 revisions)
- How to configure VLC for screenshots (9 revisions)
- The High Sign by Kate (9 revisions)
- The Frozen North (9 revisions)
- TCF440540/BordwellThompson/Cinematography (Discussion) (9 revisions)
- Lecture/discussion notes (9 revisions)
- TCF112/Early Cinema (9 revisions)
- TCF340/Cinema Ascetic: Robert Bresson (Discussion) (9 revisions)
- TCF112/Bazinian Realism (10 revisions)
- TCF112/The Breakdown of Hollywood Classicism (10 revisions)
- JCM212/Narrative Analysis (10 revisions)
- Cultural Studies, Ethnography (Discussion) (10 revisions)
- TCF 112 Motion Picture History and Criticism (11 revisions)
- TCF340/Analytical Exercise (Discussion) (11 revisions)
- Editing (Discussion) (11 revisions)
- JCM212/Outline a book (11 revisions)
- JCM212/Stylistic Analysis/Alternative assignment (11 revisions)
- TCF340/Godard Since 1968 and Claire Denis (Discussion) (12 revisions)
- BUI301F2022/TV Comedy: Single Camera (12 revisions)
- TCF340/BordwellThompson/Cinematography (Discussion) (12 revisions)
- A (mostly) verbal analysis (12 revisions)
- Feminist Criticism II (Discussion) (12 revisions)
- Semiotics II (Discussion) (12 revisions)
- Concept of Genre (Lecture) (12 revisions)
- Noir & Sexuality (Discussion) (12 revisions)
- A comic piece (12 revisions)
- BUI301F2022/TV Comedy: Multicamera (13 revisions)
- BordwellThompson/Classical Style (Discussion) (14 revisions)
- BUI301 Understanding and Deconstructing TV (14 revisions)
- JCM212/mise-en-scene and cinematographic analysis (14 revisions)
- TCF340/BordwellThompson/Narrative Form (Discussion) (15 revisions)
- BUI301F2022/Comedy and Identity Discussion (15 revisions)
- Narrative Theory II (16 revisions)
- JCM212/Editing and sound analysis (16 revisions)
- JCM212/Final Exam Review (17 revisions)
- Domestic Melodrama as Genre (2010 Discussion) (17 revisions)
- The Scarecrow by Gardner (17 revisions)
- BUI301 Funny Story (18 revisions)
- BordwellThompson/Narrative Form (Discussion) (18 revisions)
- Readings/Godard Since 1968 and Claire Denis (19 revisions)
- JCM312/Sound (20 revisions)
- JCM212/Outline a journal article (21 revisions)
- JCM312/Godard Since 1968 (Discussion) (21 revisions)
- TV Structure (Discussion) (21 revisions)
- JCM412512/Narrative Form (Discussion) (21 revisions)
- JCM312/French Modernism: Jean-Luc Godard & Bertolt Brecht (Discussion) (23 revisions)
- JCM312/Editing (23 revisions)
- JCM312/The Avant-Garde (Discussion) (24 revisions)
- Concept of Genre (Discussion) (24 revisions)
- Lana Turner as Star (Discussion) (25 revisions)
- A (mostly) visual analysis (25 revisions)
- JCM312/French Cinema Between the Wars I: Popular Front (Discussion) (27 revisions)
- Domestic Melodrama Since World War II (Discussion) (27 revisions)
- Humphrey Bogart as Star (Discussion) (27 revisions)
- JCM412512/Analytical Exercise (Discussion) (28 revisions)
- JCM312/Claire Denis (Discussion) (28 revisions)
- JCM312/Mise-en-scene (29 revisions)
- Main Page (30 revisions)
- JCM412512/Sound (Discussion) (30 revisions)
- Howard Hawks as Auteur (Discussion) (31 revisions)
- Domestic Melodrama as Genre (Discussion) (31 revisions)
- JCM212/Stylistic Analysis (32 revisions)
- Film Noir as Genre (Discussion) (33 revisions)
- Discourse & Identity I & II (Discussion) (34 revisions)
- JCM312/Cinematography (36 revisions)
- JCM312/Narrative Structure (36 revisions)
- JCM412512/Editing (Discussion) (37 revisions)
- A History of TV Style (Discussion) (38 revisions)
- Douglas Sirk as Auteur (Discussion) (39 revisions)
- JCM312/French New Wave I: Alain Resnais (Discussion) (39 revisions)
- Television Studies: An Overview (Discussion) (40 revisions)
- Animation (Discussion) (40 revisions)
- JCM312/Godard and Contemporary Feminism (Discussion) (42 revisions)
- Discourse & Identity III (Discussion) (43 revisions)
- Ideological Criticism, Cultural Studies (Discussion) (43 revisions)
- Concept of Star (Discussion) (43 revisions)
- Melodrama Variations: TV Soap Opera (Discussion) (44 revisions)
- Concept of Authorship (Discussion) (45 revisions)
- The Commercial (Discussion) (47 revisions)
- JCM412512/Mise-en-scene (Discussion) (47 revisions)
- Sound (Discussion) (51 revisions)
- JCM412512/Cinematography (Discussion) (53 revisions)
- Editing: Single Camera Mode (Discussion) (54 revisions)
- Style and Stylistics (Discussion) (54 revisions)
- JCM312/Bazinian Realism (Discussion) (55 revisions)
- Style and the Camera (Discussion) (58 revisions)
- Semiotics (Discussion) (60 revisions)
- Editing: Multiple Camera Mode (Discussion) (63 revisions)
- JCM311 Critical Studies in Television (67 revisions)
- Mise-en-Scene (Discussion) (68 revisions)
- Genre Study (Discussion) (71 revisions)
- Music Television (Discussion) (75 revisions)
- JCM412-512 Seminar in American Cinema (75 revisions)
- JCM312 International Cinema (77 revisions)
- Building Narrative (Discussion) (77 revisions)
- Narrative Structure (Discussion) (87 revisions)
- Beyond and Beside Narrative (Discussion) (97 revisions)
